19 – 25 Ekim 2007
Türkiye Box-Office 19 – 25 Ekim
Sıra |
Film Adı |
Dağıtım |
Hafta |
Bu Hafta |
Toplam |
1 |
Son Ültimatom – Bourne Ultimatum (2) |
UIP |
2 |
39.583 |
125.079 |
2 |
Ölümcül Deney: İnsanlığın Sonu (Yeni) |
Warner Bros. |
1 |
36.725 |
36.725 |
3 |
İstila – The Invasion (Yeni) |
UNP |
1 |
36.469 |
36.469 |
4 |
Avrupalı (1) |
Best Line |
2 |
28.426 |
114.667 |
5 |
Halloween (Yeni) |
Medyavizyon |
1 |
23.718 |
23.718 |
6 |
Yıldız Tozu – Stardust (5) |
UIP |
3 |
21.056 |
104.160 |
7 |
Kadının Olamam (Yeni) |
Özen – Umut |
1 |
18.661 |
18.661 |
8 |
Bitirim İkili 3 – Rush Hour 3 (3) |
Medyavizyon |
3 |
16.985 |
125.665 |
9 |
Hepsini Vur – Shoot’em Up (7) |
Warner Bros. |
2 |
12.615 |
38.103 |
10 |
İçindeki Yabancı – The Brave One (6) |
Warner Bros. |
3 |
12.251 |
87.785 |
11 |
1408 (4) |
Warner Bros. |
4 |
11.622 |
148.446 |
12 |
Erkekleri Tavlama Sanatı (Yeni) |
35 Milim |
1 |
6.930 |
6.930 |
13 |
Bana Şans Dile (8) |
Best Line |
3 |
5.614 |
37.633 |
14 |
Ratatuy – Ratataouille (13) |
UIP |
9 |
4.876 |
308.788 |
15 |
Gün Batımı – Evening (12) |
Bir Film |
2 |
3.878 |
12.732 |
16 |
Pinokyo: Yeni Macera (16) |
Best Line |
6 |
3.806 |
31.441 |
17 |
Gündüz Nöbeti – Day Watch (11) |
Özen Film |
2 |
2.965 |
13.638 |
18 |
Janjan (9) |
Kenda |
2 |
2.925 |
15.977 |
19 |
Kaza Kurşunu – Knocked Up (15) |
UIP |
5 |
2.786 |
60.935 |
20 |
Dehşet Odası – Captivity (10) |
Chantier Films |
3 |
2.674 |
24.297 |
Alfabetik sıraya göre sırala
2 – 8 Kasım Haftası |
Krallık (The Kingdom) Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman, Richard Jenkins, Ali Suliman Across the Universe Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs, Lisa Hogg, Michael Ryan 3:10 Yuma (3:10 to Yuma) Russell Crowe, Christian Bale, Peter Fonda, Logan Lerman, Dallas Roberts, Ben Foster Sıfır Dediğimde Oktay Kaynarca, Görkem Yeltan, Hazım Körmükçü, Damla Tokel, Özge Özder, Semih Sergen Irina Palm Marianne Faithfull, Miki Manojlovic, Kevin Bishop, Siobhan Hewlett, Jenny Agutter, Corey Burke Dikkat, Şehvet (Lust, Caution) Tony Leung, Tang Wei, Joan Chen, Anupam Kher, Lee-Hom Wang, Chih Ying Chu, Su Yan |
26 Ekim – 1 Kasım Haftası |
Kefaret (Atonement) Keira Knightley, James McAvoy, Saoirse Ronan, Romola Garai, Brenda Blethyn, Juno Temple, Patrick Kennedy, Benedict Cumberbatch Testere 4 (Saw 4) Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor, Lyrio Bent Persepolis Catherine Deneuve (Anne / ses), Danielle Darrieux (Büyükanne / ses), Simon Abkarian (Baba / ses), Chiara Mastroianni (Marjane / ses) Yaşamın Kıyısında Nurgül Yesilçay, Baki Davrak, Tuncel Kurtiz, Hanna Schygulla, Patrycia Ziolkowska, Nursel Köse, Lars Rudolph, Andreas Thiel Nefes (Breath) Chen Chang (Jang Jin), Jung-woo Ha (Koca) Ki-duk Kim, Ji-a Park (Yeon) Bir Gece Birdenbire (Ad-Lib Night) Il-hwa Choi, Gi Hyo-ju Han, Jung-ki Kim, Young-min Kim |
19 – 25 Ekim Haftası |
İstila (The Invasion) Nicole Kidman, Daniel Craig, Jeremy Northam, Jackson Bond, Veronica Cartwright Halloween Malcolm McDowell, Brad Dourif, |
Superman Returns / Cast & Crew
About Miami Vice TV Serial
On Air: NBC at Friday 10:00 PM (60 min.)
September 16, 1984 – July 26, 1989
NBC Police Drama – 111 Episodes
Episodes Guide: Season 1 Season 2
Season 3 Season 4 Season 5
Miami Vice earned its nickname of “MTV cops” through its liberal use of popular rock songs and a pulsating, synthesized music track created by Jan Hammer. Segments of it closely resembled music videos–as quickly edited images, without dialogue, were often accompanied by contemporary hits such as Tina Turner’s “What’s Love Got to Do With It?” As with music-oriented films such as Flashdance (1983) and Footloose (1984), Miami Vice was a program that could not have existed before MTV began popularizing the music video in 1981.
Originally aired from 1984 to 1989, Miami Vice incorporated both current music and musicians (e.g., Phil Collins, Ted Nugent, Glenn Frey, Sheena Easton), dressed its undercover police officers in stylish fashions, and imbued every frame with an aura of moral decay. It succeeded in making previous police programs, such as Dragnet, look stodgy and old-fashioned.
In Miami Vice, the city of Miami was virtually a character in its own right. Each week’s episode began with a catalogue of Miami iconography: sun-baked beach houses, Cuban-American festivals, women in bikinis, and postmodern, pastel-colored cityscapes. Executive producer Michael Mann insisted that significant portions of the program be shot in Miami, which helped …